My Hair Is By Lua Davis (Cameroon)

My Hair Is     By Lua Davis (Cameroon)

My hair is loud!

Like the ricochet of voices rumbling

down the streets of Washington, D.C.                                 ,,

during the march of 1963. It yells: “Here I am! Here I am!” Even in silence.

My hair is triumphant. Like the exultant echo of my mother’s footsteps as

she glided across that stage to embrace the diploma of a first generation

graduate. It dances to the discord of discrimination, never forgetting that

a symphony is only made with patient persistence. My hair isresilient. Like

the Cameroonian women of my family who toiled selling granuts &palm oil

on the red-clay-soil roadside to ensure that their brothers received education:

women who, despite being regarded 2nd, still moved mountains for themselves

and their kin. It revolutionarily recoils at the oppositional pull of adversity in order        to

revisit the importance of its roots. My hair is poetic. Like songs loftily uplifted bymy

Bakossi people to heaven during prayer. Each strand is the stanza of a love poem to

God. My hair is proud. Like the coalition of kings and queens crowned with the

curls of their           ancestors—whose hair continues to bloom in spite of

the cumbrances of oppression. It blossoms

in common accord with allied heritage

preservation. My hair is intricate. Like

the diverse cloths that kiss the skin

of my African brothers and sisters.

It harbors clusters of contrasting

curl patterns: each beautiful in

its textured diversity. My hair

is a thank you note to the soil

from which we leapt, to sun–

kissed mothers plaiting their

childrens’ ulotrichous locks,

to the men and women

with raised voices and

elevated signs, protest-

ing in Ferguson, MO,

to the parents who

tell their dark-skin

babies, “You are

more than the

world says

you are.”

My hair

Is.

Death-fall by Nick Makoha (Uganda)

Death-fall by Nick Makoha (Uganda)

Before Koni, before Museveni, before Obote’s second term, before now

there was me. We were in deep Shit! Bridges couldn’t be fixed with gaffer-tape.

America stopped lending plasticine to fill pot-holes. I quit playing refugee.

Who among you was going to pay our country’s light bill? Well? You uninvited guests

like Rome, you will know where we put the bodies in their tunics and kangas. My sins,

both real and imagined, into the trap. To my brother my rival, when he comes

don’t let him tap the glass (idiots), devise his death. You stable-god,

a month’s worth of grain for the paratroop regiment won’t purge you.

New wives and shoes and a move to State House while we live in huts.

Home will see your troubles cursed. By the way, your Chief of Police,

into the trap. You who believed in Churchill’s prophecy. You innocents

ruled by a spinning earth, your tears will quench the barns we set fire to.

You who call your guns She.You papiermâché martyrs with north Kiboko accents.

You shadow soldiers who dig dead men from their graves. You in the motion of battle.

You who search the airwaves for the British World Service, who stare

spirits in the face but can’t stand heights, the rules say, into the trap.

I will not forgive the clan who sheds blood for party politics. Your god might.

The one with his hands up as he waves, ask the firing squad to send him

with the widowers, orphans and motherless sons, into the trap.

All you disciples of empires.Mr Men ministers who paraphrase over PA systems,

into the trap. Wrecked after five days of being held under decree nineteen.

Why riffle through your Yellow pages in search of Heads-of-state? Into the trap.

The executioner who lets you watch his navel after bare-knuckle fights, into the trap.

You who played The Bard on screen and stage, or quoted Aristotle, into the trap.

Your second tongue, into the trap. Lumino-boy with that Yankee

dialect, into the trap. It makes no difference to me, you sun worshiper.

Name your Icarus and fly, into the trap. You who abandon your wife’s thighs

for the cradle of a servant girl, into the trap. You at The Uganda Company Limited

(Trojans), because you gave us cotton but took our land, follow me with your horse mask,

into the trap. Those who offer me your skins as a fig leaf, let me carve a map

on your backs to Ithaca. You can hitchhike for all I care, into the trap. Take your stand

with the soothsayer in her snake dress. The ones who hesitate, into the trap.