KUADEGBEKU PAMELA FROM GHANA; #BABISHAI2017 HAIKU SHORTLIST

Kuadegbeku Pamela Angela is from Ghana, committed to literary causes and her radar is out for literary landmarks. She pursues writing as a stable career in future. She says that if her haiku were food, it would be fufu and lightsoup. Read more about this enchanting poet.

Kuadegbeku Pamela Angela (courtesy photo)

 

What drew you to enter for the competition?

I am a keen reader in my own comfort zone and a committed fellow to any literary cause; someone who has since been on a persistent look out for a competition of this nature to rub shoulders with other literary ‘landmarks’. I should say this contest is right  in defining my start point in pursuing a more stable writing adventure in the near future. I did have this conviction this contest will carve out a humble spot for me among my peers, and this was entirely the ruling interest that drew me to the competition.

 

 Do you have a particular personal story with haikus?

 

Personal story? Not precisely please. But I have come close to seeing the practise of haiku as one expressway to encasing all I have read extensively about as an African girl and an aspiring writer so to speak. However, Basho’s haiku have practically left an indelible smirch on me since I have read a great deal in my pursuit of learning how to write one myself.

 

What do you feel towards the shortlist in general?

 

The shortlist unequivocally displays myriad of intellect, with all the Ku showing in their capacities the expected aha moments. It has predictably led to another insightful finding that many African poets have the necessary creative skills in their tanks to compete with the international haiku poets. How ever, as an upcoming feminist, I am someway displeased a lot of female poets have failed to find the spotlight in haiku. This is where the gender literary match is leaving absolutely a lot of our women counterparts behind. Hope they wake to the consciousness come another contest season. But am glad to be in the same run-lane with some big whips so far.

 

What motivation do poets need, to keep writing, in this ridiculously competitive world that vies for their attention?

 

It’s really true the dynamics and the interplays have changed unexpectedly in the writing world. Tons and tons of literary materials are day in day out produced beyond the reading population’s interest. This phenomenon is sure creating a watertight situation that holds writers at contest end to earnestly keep looking for footholds in their respective continents. This is where this quizzical question stands worth brainstorming over. For me,  it is imperative we produce literary materials that are in close correspondence with our continental demands. Our folkloric stories could be exploited and mutated into readable poems while we also focus some attention on those unforgiving problems that militate against us, giving all to originality. It should be a kind of revival campaign by all to write personally not for the mere fun but for the purpose of writing for the recreation of different reading audience for this century and beyond. I wholly believe the internet dormain can also inject some positive Adrenalines into the whole cause.Thus, the social media pages could help disseminate the brand-new poems we produce. Maybe our devotion to writing haiku could project us also into the circles of success.  What we essentially need now is some regionally based literary groups which can keep whetting the mindset of young poets to write for our print and the audio-visual media as well. These written poems must be solution finding containers than problem detecting ones. It’s been too long a habit of diagnosing the pain through our writings, let’s prescribe some near- good solutions now.

 

If your 2017 submission was food, what would it be?

That would be fufu and lightsoup! I’m salivating already folks.

**********************************

You may read Pamela’s haiku here,

 

moon circle

palms into palms

an armless child breaks the ring

 

We at Babishai, congratulate her again. The winners will be announced at the #Babishai2017 Poetry Festival dinner on Sunday 6 August at Humura Resort, Kitante Close. Cards are on sale at 40,000/- Call +256 703147862. The full festival programme is here.

#BABISHAI2017 POETRY FESTIVAL PROGRAMME

The full winning haikus are here:

http://bnpoetryaward.blogspot.ug/2017/07/the-babishai-2017-haiku-shortlist.html

 

 

 

 

 

OBAJI-NWALI SHEGUN FROM PORT HARCOURT; BABISHAI 2017 HAIKU SHORTLIST

Obaji-Nwali Shegun comes from Port Harcourt, Nigeria. This is his second submission to the Babishai Haiku contest, a form of writing he says, is extremely demanding. Obaji’s purpose-driven nature leads him to work diligently and passionately.

Obaji (Courtesy photo)

What drew you to enter for the competition?

First of all, I offer a colossal credit to the sedulous and purpose-driven judges for this recognition. Yes! Even if I’d not be a able to row the boat further to the winners’ range of the sea (In my tiny mind though) being among the shortlisted poets, only, is a tender draft, self-healing and heart-warming as it is gratifying. The inclusion of my names and wee lines in the list is ,to me, like lifting a twiddling crab from its hole and setting it in the cue of hyenas, buffalos and leviathans. Oh yes! Such metaphors decorously define the poets making the shortlist. Their creativities transfixed, electrified and compartmentalized me the almost hundred times I circled the arts. The lines shrewdly and astutely picked by irrefutably great and sophisticated Haiku masters muscularly shocked me, and like Carlsberg’s Jacobsen vintage beers excessively taken made me blotto and wholly sloshed.

I was vastly overwhelmed, when I saw my poem in the list. What was I doing when the bang came? What was I doing? Ok, I was in a Vesta Cyber Café in the West of Rivers submitting a short story to Quramo short story prize ‘ bam’  my Gmail inbox spilled it. I felt gashed not with a sword but with hyper exhilaration. I wanted to leap off the swivel chair holding me all the while, but there was a serious crowd that will hardly fancy my yelp and squeal of triumph. The crowd circumscribed the way I had arranged to celebrate the dawn of my victories; if at all I’ve got more victories ahead, but I should believe i have more on the way.

Talking on the magnet that pulled me like metal into this soul-saving competition I’d have to admit its my immense love for Haiku. Last year I had mistakenly stumbled on a word ‘Afriku’ while surfing the internet and the curiosity to unravel the denotation and connotation of this completely new word ushered me into a vast pool of teensy lines that ended up burying me in wonderment and reverence. The capability of words among 17 syllables to effortlessly carve a hole of longing, nostalgia and bitterness in my heart and thereafter abandoned me panting, grunting and facing the images and sounds of the glitches perturbing the continent, the splendour of nature wrapped in aesthetic words instantaneously compelled me into falling in love with Haiku poetry. And since then I decided to study hard, I meant very hard  realizing Haiku is never, never and never as easy to write as nippy as it is convincingly is. Haiku is an exploration, getting a perfect Haiku done demands you jettisoning the comfort of your minds zone and going exploring. If you never darted into the dark with shovel and digger, you’d always come up with a flat and passionless Haiku. This was a big fact I realized after embracing Haiku my new love. I realized Haiku is an angelic maiden sitting in the shade of tree physically convoluted but interiorly soft and lovely, only demanding anyone who desires to love her to follow the particular principles with which the wavy routes to her realm is laced.

I clapped few words together and joined the 2016 Babish Haiku contest but failed. But I choose not to be deterred or unnerved, in that I was indeed in love with the power of Haiku, its ability to surround  a lot of issues in a jiffy and get a large amount of work done and not because of the competition or incentives. Let me digress a bit, Haiku thought me, I’d sometimes fail in letting her fling me to places if I was only interested in winning a competition. And she’s right, am already on places. I am a winner by getting shortlisted. It’s even enough for me even if I’d not step further.

Now let me flow on, I relished Haiku, the long-winded and eye-opening type of poetry as I enthusiastically immersed my body and soul in the noble genre of poetry. 2017 Babishaiku contest came and I effortlessly joined the race, realizing I was good to go.

So, to be frank with you my love for Haiku, its beauty and convolutedness and a sense that I’ve mastered the art ,to a particular encouraging level, motivated my interest of entering the competition.

Do you have a particular personal story with the Haiku?

A particular personal story with Haiku? I elaborately shared it in the first question but I’d complete the story this way. When I bumped into a WordPress blog outlining Haiku poems written by an African a particular poem stung me, its tenderness and featheriness. Its fluidness and readability- the poem that would become my port of call in this remarkable poetry genre. The poem is one of the Haiku poems written by Adjei Agyei-Baah. And it reads:

Lights return

The cheers of kids

Stamp out the crickets

Yes, simple as it seems, it blew my mind away. How this very few lines naturally and readily captured a moment? A moment I could relate to as an African and a Nigerian living in that part where you’d have to wait for NEPA lights for weeks and when it comes you go feral and haywire in unprecedented jollity. So, I felt unleashing my mind piece by piece  and yet ensure a germane sense would be a good vocation. A fact about  Haiku is, once you mastered the art, the organization of its figure you’d tell the world your stories as nippily as possible. Even the so-many-schedules-entwined individuals will find time to gulp your Haiku and capture the message without all the ado posed by novels and short stories.  And like seriously am enjoying Haiku. It saves my time , energy and free me from the rigour of expectorating too many words to tell a story.

What do you feel towards the shortlist in general?

Wow, wow, wow. As I mentioned earlier, the intricacies or multifariousness, intriguing imageries and sounds and brilliance of the shortlisted poems is extremely amazing and super-terrific. Each poem delved robustly into divergent issues and moments one could smoothly relate to.  And the judges? I doff my headdress for them. A shortlist indubitably reflects the wit, cognoscenti and savviness of it judges. The judges are masters in this art. They’ve started a revolution the whole of Africa would very soon turn to and enjoy absolutely. Afriku is a wave and very soon its altruistic fragrance will swallow Africa and it will easily, as it does, on larger scale, enlighten us, offering the assizes with which to confront the numerous challenges unsettling the continent. Once again the shortlist is super-terrific and mind-blowing.

What motivations do poets need to keep writing in this ridiculously competitive world that vies for their attention?

You’ve got a good question here. My candid advice to poets out there is to read and read many poems and write and write many poems. If your reading is shallow, your writing will definitely be light and narrow. Like, if Haiku is your forte read plenty of it. Mamba Journal is there, Mercy Ituri and Adjei Agyei-Baah blogs are there for you to guzzle (I mentioned them cos their works introduced me into Haiku, ). If it’s other forms of poem go for them via the search internet engines. And I promise  you of incredible places .  Please, lastly, do not write because you want to win an award write for the joy you derive in what you write and the sky will be your limit.

If  your 2017 submission was food, what would it be?

Ha ha ha…… as an Effium-Eboyian if my submission should be food it would be  esisa  and ugu soup with plenty okporoko  and anu nchi, my mentor, Obinna Udewe will understand this than anyone. But, since I presently live in Port-Harcourt I’d prefer Edikang ikang and Afang soup. Ask, Ngozi Olivia Osuoha she’d giggle.        

Obaji’s shortlisted haiku is here:

 

roadside

gaunt vultures nipped

a zonked drunkard

 

We at Babishai, congratulate him again. The winners will  be announced at the #Babishai2017 Poetry Festival dinner on Sunday 6 August at Humura Resort, Kitante Close. Cards are on sale at 40,000/- Call +256 703147862. The full festival programme is here.

#BABISHAI2017 POETRY FESTIVAL PROGRAMME

The full winning haikus are here:

http://bnpoetryaward.blogspot.ug/2017/07/the-babishai-2017-haiku-shortlist.html